So the Book of Mormon
 is written entirely in first-person. Never is there the anonymous, 
omniscient "and God said" of Genesis, Leviticus, and Job -- you always 
know who the author is, and it advertises that fact on the very first 
page, in the first words: *I, Nephi* wrote this record.
And this 
goes deeper than pronouns. Anyone without an ideological agenda can tell
 you that Mormon sounds different from Nephi, that Nephi sounds 
different from Jacob. Mormon is the historian, as cut-and-dried as David A. Bednar's bullet-pointed, thoroughly organized General Conference addresses. One can imagine Mormon putting his styluses in 
obsessive-compulsive rows before he uses them to engrave the plates. 
Nephi, on the other hand, is more involved. He reads more 
introspectively, more emotionally, than Mormon's dispassionate spiritual
 history. Jacob seems almost bitter at times. Alma the Younger is the 
most intelligent author in the text. Moroni seems more otherworldly 
somehow.
To me, this 
first-person character implies that the Book of Mormon is a kind of 
conversation -- with itself, with Joseph, and with us. The book itself 
is a gift, a gesture, what occurs when one of numberless concourses of 
angels gives you a book to read, when your father bestows the sacred 
records to your keeping, when you dig up ancient golden plates, when a 
couple of nineteen-year-olds show up on you doorstep. This invitation is
 an irruption, a rip in the fabric of what makes sense, an opening to 
heaven. It's a challenge: "Read it! I *dare* you." And we respond to 
this invitation, participate in this conversation, by accepting that 
challenge, by reading the Book, by letting the Book change you, change 
your world.This is a chain, a system of concatenated strata, formed by 
invitations to read and acts of reading. The Book becomes itself through
 those levels, through Mormon, through Joseph, through *you*. Always 
becoming different, always blossoming, always transfiguring. It doesn't 
lose itself this way. It *is* this blossoming, this perpetual 
re-visioning in and through the reader. It's what lives through death. 
It's *resurrection."

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